The crisis and corruption in the British press is one of the biggest, ongoing scandals of our time. Byline Times tips its hat to Prince Harry
The Duke of Sussex’s testimony is the first to be given by a senior royal to a civil court in more than 130 years
Most freelancers do not report abuse within the industry due to a fear of reputational damage, says the national secretary of the broadcasting and entertainment union
As the Prime Minister reveals that his favourite author is Jilly Cooper – he tells Otto English about some of his other favourites in music, food, movies and sport
The phoney war is over – Prince Harry’s phone-hacking wars have begun, reports Dan Evans
Vogue Editor-in-Chief Edward Enninful understands we have to go beyond stunning photography and glorious clothes – and push for further discussion around the disability narrative, writes Penny Pepper
Martin Shaw looks at Goodwin’s new book and its claims that Britain is run by a ‘woke’ new elite
We must all examine our values and actions in relation to vulnerable populations, writes Iain Overton
Stefano Goodman explains how impairment can lead to sudden physical reliance on strangers – and how this shapes our personalities
If voters can’t be scared by the threat of the ‘woke left’ devaluing their house – they might be scared by it devaluing their childhood, writes Graham Williamson
The decision to alter Roald Dahl’s texts to make them more inclusive misses the mark – and ignores wider failures of diversity in children’s publishing, writes Sian Norris
At the heart of any resolution of the war in Ukraine is the issue of the Crimean Tatars. Maria Romanenko explains how a play, part of the UK/Ukraine season of culture, explores their subjugation and resistance
The longer we look at this traditional music, the more we see that its very malleability is its strength and its challenge, writes John Mitchinson
Stephen Unwin explores how the famed author’s views about disability were typical of a growing intellectual endorsement of the dangerous ideology of eugenics in the early 20th century
John Mitchinson explores the enduring relevance of the “little Christmas book” the author penned in 1843
John Mitchinson explores how our brains reflect our lives not our genitals John Gray’s Men are from Mars, Women are From Venus was the highest-selling non-fiction title of the 1990s. With sales of over 15 million copies across 40 languages, it created its own publishing ecosystem: Why Men Don’t Listen and Women Can’t Read Maps;…
Composer Howard Goodall unpicks Art Council England’s announcement that it will be redistributing £50 million of funding for the English National Opera outside of London and the south-east
With days to go before the National Trust’s members choose its new council, the ‘Restore Trust’ group is campaigning in a manner that scarcely inspires trust. Brian Cathcart reports
Novelist and photographer Lola Akinmade Åkerström talks to Sian Norris about the rise of Sweden’s far-right, and the experiences of women of colour in the Nordic country
Penny Pepper reflects on her relationship with fashion – and how punk took her into disability activism and feminism
Graham Williamson reflects on how the late French film director wove together arts and politics, transforming cinema forever
Otto English has got his hands on Boris Johnson’s successor’s inaugural speech as PM
Anthony Barnett remembers the political and social circumstances around the response to Salman Rushdie’s ‘The Satanic Verses’
Last summer, 4,000 people seeking asylum arrived in Lithuania and were placed in immigration detention. While the future is uncertain, many are using art to process fear and trauma
Rushdie has consistently argued that people should not be harmed for the words they write. But, as Graham Williamson points out, this is not the same thing as believing words are harmless.
Ahead of ballots going out in the Tory leadership race, Otto English has been leaked a draft of Rishi Sunak’s pitch to Conservative members Dear Fellow Normal Conservative Human Beings! Or as I like to put it “Hi Guys!” Wow. Well, here I am – just an average, ordinary billionaire standing before you, asking you…
Katie Dancey-Downs, assistant editor at Index on Censorship, reflects on a decision by the Ukrainian Parliament to ban music created by Russian citizens
Composer and writer Howard Goodall explains how the Deputy Prime Minister’s patronising comments about Angela Rayner undermine the Government’s own stated principles about the role of music in education and empowerment
As another Russian dictator uses Ukrainian grain as a weapon of war, this 2020 historical thriller is worth a watch, writes Ellin Stein
As fiction, Tom Cruise’s sequel to his 80s blockbuster longs for the days of the single warrior in combat, when air-launched explosive violence is all about ground attacks often with civilian casualties
John Mitchinson reflects on his latest trip to the ‘Big Easy’
Otto English reveals another controversial branding change in the name of gender equality
Byline Times talks to Susie Symes, Chair of the Museum of Immigration, about the arrest of Leyla Ibragimova and what it tells us about how authoritarian and repressive regimes attack culture and freedoms
Otto English has already imagined how the Culture Secretary could write up the last few tumultuous days in Westminster in her (in)imitable novelistic style
The Culture Secretary has announced sweeping changes to BBC funding will mean an end to elderly people being threatened by the Beeb – but are elderly people really going to prison for not paying their licence fee?
Penny Pepper shares some of the enduring inequalities and the memorable breakthroughs which characterised the past year for disabled people
Malka Al-Haddad introduces a new magazine aiming to challenge stereotypes about refugees and migrants by showcasing their writing and editing and building a ‘bridge’ of understanding
With women facing a crisis of justice when it comes to gender-based violence, survivors are turning to creative ways to process trauma and tell their own stories
An ancient artefact due to go on display in the British Museum opens our eyes to a sophisticated and internationally-connected Bronze Age community