The first Pop Idol winner – and Byline Times supporter – speaks to Josiah Mortimer about the pressures of fame and the stories he believes are still to come to light about the reality TV music world
The Government has announced it will include dynamic pricing in a consultation into ticket resale websites after hundreds of complaints over Oasis ticket sales. But that’s just the start
As a lawsuit against music generation startups Udio and Suno makes its way through the courts, an AI song in Germany has already made the Top 50
In the wake of Lord Melvyn Bragg’s House of Lords debate on the vital importance of the arts to the UK’s society and economy, composer Howard Goodall makes an urgent call for the Government to rethink its proposed further reduction of resources for musical education
Nick Smith explores what the music business is doing (or not) to put its house in order
“While I was at the funeral for my brother…there were only four people, because of social distancing. I will never forget that,” song-writer and actor Will Young tells Byline Times.
The longer we look at this traditional music, the more we see that its very malleability is its strength and its challenge, writes John Mitchinson
Composer Howard Goodall unpicks Art Council England’s announcement that it will be redistributing £50 million of funding for the English National Opera outside of London and the south-east
Penny Pepper reflects on her relationship with fashion – and how punk took her into disability activism and feminism
Composer and writer Howard Goodall explains how the Deputy Prime Minister’s patronising comments about Angela Rayner undermine the Government’s own stated principles about the role of music in education and empowerment
John Mitchinson reflects on his latest trip to the ‘Big Easy’
Philippe Auclair discusses the cultural isolation and loss which will result from British musical artists being deterred from performing in Europe
Howard Goodall explains the genesis of his NHS memorial choral work, and the effect of meeting relatives of those who died during the pandemic
On the 40th anniversary of the hit song, Chris Sullivan finds its modern relevance terrifying
Heidi Siegmund Cuda celebrates the proto-punk’s protest songs as epic short stories painting a history of radical anti-war, anti-establishment America
Racism, police brutality, inequality, ecology, the trauma of the Vietnam War and drug addiction, Chris Sullivan considers how the classic 1971 album explored what was really going on
Nathan O’Hagan catalogues the surprising conservatism of many radical musicians
Chris Sullivan reviews the documentary ‘Billie’, detailing how one of the greatest singers of all time was hunted by officers at the Federal Bureau of Narcotics
Composer Howard Goodall sets out what performers will need to know in a post-Brexit world and reflects on the sorrow of the Government’s desire to erect barriers, when the job of creatives is to tear them down
Chis Sullivan examines the history of Notting Hill Carnival and its decades-long battle against the Establishment
Continuing to wage a Steve Bannon-style culture war, Boris Johnson’s Government will do nothing to confront the damaging legacy of our imperial past because its mythologised symbolism is all it has to sell to Brexit Britain, argues Hardeep Matharu
With the end of the COVID-19 lockdown being bruited loudly in the press, Graeme Thomson the idea that ‘silence is perfection’ and where we can still find it in great music.