Chris Sullivan

Chris Sullivan reviews the 1960 classic which has left its mark on our culture in many ways, beyond simply its famous title.

Chris Sullivan reviews the latest documentary from Academy Award-winning Alex Gibney which follows the story of one of Russia's richest men, now exiled in the UK.

Chris Sullivan on a sprawling, ambitious tale of murder, blackmail, and corruption in mid-century New York that has dark resonances for London today.

Chris Sullivan reviews Martin Scorsese' latest film, The Irishman and explores the history of the cult of Mafia films.

A damning portrait of zero-hours contracts, private debt and public austerity in Brexit Britain.

Chris Sullivan gives his take on the controversial new film starring Joaquin Phoenix and compares its dystopian vision with 1970s New York and the UK today.

Chris Sullivan reviews the film Judy and considers how the star became a victim of her own fame.

DJ and writer Chris Sullivan on the debate about where Rave culture first took hold in Britain.

Chris Sullivan hails a new addition to the Marvel franchise, that marvels with its spectacle when all else fails.

WAG Club founder and DJ Chris Sullivan reminisces and riffs about the rave scene of the late 80s

Chris Sullivan on the age-old debate about whether fictional displays of violence increase it in reality, now informed by some groundbreaking research.

Chris Sullivan, DJ and writer remembers Steve Strange, lead singer of Visage and the New Romantic Movement on what would have been his 60th birthday.

DJ and writer Chris Sullivan on the timely new film 'Beats' as he explores 30 years of rave culture in the UK.

Writer and DJ Chris Sullivan explores how 'Amazing Grace', the new Sydney Pollack film finally released nearly 50 years after its original due date, got him thinking about the origins of Gospel music.

Chis Sullivan searches for impoverished drug-fueled reality in the late Nat Finkelstein's Photography Exhibition, 'In and Out of Warhol’s Orbit' from his past interviews with Nat and the people who knew the the Factory best.

Chris Sullivan celebrates the gritty revisionism of the modern Western, but wonders whether Bad Smells alone are Good Enough

Willem Dafoe's performance as Van Gogh is "beyond brilliant" says Chris Sullivan, who ponders whether creativity is always close to madness.

The tolerance and acceptable of 1980s Britain is to be admired far more than Dallas, big shoulder pads and synth pop, says Chris Sullivan.

Undeniably, the opioid/heroin epidemic sweeping the United States is the greatest drug endemic to ever hit the country. Indeed, more people died of overdoses in 2017 than all US military personnel killed during both the Vietnam and Iraq conflicts and more than those killed by guns, car, AIDS in any single year in the US.

Journalist and DJ Chris Sullivan on the tired "magic formula" for gaming the Academy Awards system