Free from fear or favour
No tracking. No cookies
Saba Salman reports on a significant project that involves people with learning disabilities addressing the issues directly and shaping the narrative
Most freelancers do not report abuse within the industry due to a fear of reputational damage, says the national secretary of the broadcasting and entertainment union
Graham Williamson reflects on how the late French film director wove together arts and politics, transforming cinema forever
As another Russian dictator uses Ukrainian grain as a weapon of war, this 2020 historical thriller is worth a watch, writes Ellin Stein
As fiction, Tom Cruise’s sequel to his 80s blockbuster longs for the days of the single warrior in combat, when air-launched explosive violence is all about ground attacks often with civilian casualties
While Priti Patel and the tabloid press seek to protect our borders from those who need protection, one film has broken the mould, writes Deborah Shaw
Penny Pepper explores the failure of the diversity and inclusion trope for disabled people with a variety of stories to tell
Mic Wright on Boris Johnson’s obsession with The Godfather, and why director Francis Ford Coppola decried him for bringing “the beloved United Kingdom to ruin”
Ellin Stein looks at the power of moral complexity as played out in two BAFTA nominated films based on real events
Jon Bailes explains how the Golden Globe-winning part played by Rosamund Pike represents a new professionalised Gangster Paradise
Chris Sullivan reviews the documentary ‘Billie’, detailing how one of the greatest singers of all time was hunted by officers at the Federal Bureau of Narcotics
Composer Howard Goodall sets out what performers will need to know in a post-Brexit world and reflects on the sorrow of the Government’s desire to erect barriers, when the job of creatives is to tear them down
This Netflix depiction of mass protests repressed by brutal state violence has stark parallels to today, says Ellin Stein
Amina Shareef reviews Cuties, which has attracted criticism for its over-sexualisation of young girls, and finds a troubling portrayal of Muslim femininity
The Odeon of Death takes a look at the month’s events through the medium of cinema – this time a mind-bending sci-fi espionage thriller Tenet’s Extra (2020) It’s the mind-bending sci-fi espionage thriller the critics are calling “Conservatism on acid” Due to a mutant algorithm, a CIA operative enters an inverted world, in which the…
Chris Sullivan reviews ‘The Traitor’, a brutal Italian story of crime and corruption, and finds parallels with the UK
Reverend Joe Haward considers what the pursuit of truth really involves and how knowledge of this is being manipulated by our politicians
The Odeon of Death takes a look at the month’s events through the medium of cinema.
Jon Bailes looks at the social stratification in the TV remake of Snowpiercer and the new Final Fantasy video game and sees an instruction manual for the Uber-rich.
Rupert Read and Deepak Raghani lament the film’s fatalism and argue that there is a ‘managed descent’ from our current dangerous energy dependencies.
The Odeon of Death takes a look at events through the medium of cinema
In light of the realities of COVID-19, Peter Jukes explores what our myths about pandemics and alien invasions told us about sorry selves.
The Odeon of Death takes a look at the month’s events through the medium of cinema.
Looking for an album, film or book to make our new Coronavirus reality more bearable? Why not start here…
Chris Sullivan reviews a new take on the 1970 Miss World pageant and explores the debate about sex and race which it exposed.
Chris Sullivan reviews an adaptation of the Booker Prize-winning novel that explores the boundary between banditry and rebellion.
The Odeon of Death takes a look at the month’s events through the medium of cinema.
Chris Sullivan reviews a new film exploring corporate destruction and greed and the tenacity of lawyers and litigants to achieve accountability and justice.
Chris Sullivan reviews a new comedy drama based on one of Britain’s most controversial modern businessmen.
Chris Sullivan explains how the tabloid panic about knife crime today is a repeat of the 1950s and wonders when we’ll actually do something about the real causes.
Jon Bailes considers whether big screen hits such as The Big Short and The Laundromat actually leave viewers inspired to act for political change or informed but pessimistic.
Chris Sullivan rates Sam Mendes’ new war film up with the classics and remembers his grandfather’s survival through the worst of World War One.
Hardeep Matharu explains how Laurence Fox’s myopia about the role of Sikh soldiers in World War One is a wider British problem of imperial amnesia.
Ellin Stein reviews two dramatisations of the life and crimes of Rupert Murdoch’s Fox News supremo.
Chris Sullivan reviews the 1960 classic which has left its mark on our culture in many ways, beyond simply its famous title.
The Odeon of Death takes a look at the week’s events through the medium of cinema. This week Starmer Wars (2020)
The Odeon of Death takes a look at the week’s events through the medium of cinema. The Maligning (2019) Bad spirits are summoned when a caretaker takes a hatchet to a beloved old institution, in this classic horror starring Jack Nicholson as Jeremy Torrance, the man who puts the Red in Redrum. Can Jess Phillips (Shelley Duvall)…
Chris Sullivan reviews the latest documentary from Academy Award-winning Alex Gibney which follows the story of one of Russia’s richest men, now exiled in the UK.