History, music, cooking, travel, books, theatre, film – but also with an eye on the ‘culture wars’, nationalism and identity.
The beautiful game has become a way for foreign aggressors to gain leverage over British politics, writes Adrian Goldberg
Creating a fuller, fairer picture of British history requires urgent reforms to the National Curriculum, explains Dr Cheryl Diane Parkinson
Jon Bailes considers how free we really are under the free market system and whether the Coronavirus crisis will have revealed this to the public with far-reaching consequences
Churchill Fellow Nishtha Chugh argues that Britain will only truly understand its imperial history with a fuller appreciation of its wartime leader’s legacy
Amina Shareef predicts that the return of Begum to challenge the revocation of her citizenship will unleash another wave of ruthless demonisation and internal exile for British Muslims
Reverend Joe Haward wonders whether churches and congregations can re-evaluate their role in the wake of lockdown, remote streaming, and the Coronavirus crisis
Continuing Byline Times’ series dedicated to giving a platform to new voices of colour, S Dorothy Smith from Virginia argues symbolic gestures alone won’t improve the lives of African Americans
The Odeon of Death on the month’s events through the medium of cinema. This time a remake of the Ron Howard Classic about a rotund Covidian
Following the Chancellor’s lifeline in funding for the culture and heritage sectors, Stephen Unwin considers whether this will usher in a real ‘levelling-up’ of the arts across the country
COVID-19 signals the end of Boomer dominance over business, culture and the economy, writes Stephen Colegrave
After the furore over comments by historian David Starkey, Sam Bright reports on a second attempt to rewrite British imperial history in response to the Black Lives Matter movement
Comments by the Queen’s grandson on the need to ‘right those wrongs’ from the past across the Commonwealth reveal why he is rebelling against the system that created him
Musa Okwonga reflects on the Black Lives Matter movement and explains why Keir Starmer’s actions have been so revealing of entrenched structural white supremacy
Vida Adamczewski interviews the artistic director of the Young Vic on the future of a crucial industry that defies social distancing
Reverend Joe Haward considers what the pursuit of truth really involves and how knowledge of this is being manipulated by our politicians
Hannah Charlton takes a journey into America’s dark history of segregation and subjugation of black communities and wonders how Britain could do the same
In the 40,000-year-old fragments of evocative animals and figurines, Mike Stuchbery finds inspiration and resilience in dark times
Beyond offensive memorials being removed, real progress will come when we talk to each other and make it our focus to understand the other side, writes Bonnie Greer
Three years after the Grenfell Tower tragedy, Chris Sullivan excavates the hidden history of one of London’s most polarised neighbourhoods
From economic aftershocks to social unrest, racial discrimination and healthcare inequality, Otto English predicts a pandemic will transform this century just as it did the last
Mike Stuchbery explains how, rather than mute statues, Germany has a much more dynamic dialogue with its traumatic imperial past
When Britain’s politicians swore to make racial equality a reality and did not deliver, they compromised democracy itself, writes Brian Cathcart
In the first of Byline Times’ new series dedicated to giving a platform to new voices of colour, Cheryl Diane Parkinson shares her experiences of confronting structural prejudice within schools
As the Black Lives Matter movement removes a symbol of slavery and Empire from the heart of Bristol, Otto English explains why misplaced reverence for these relics of a shameful past has had its time
Jon Bailes looks at the social stratification in the TV remake of Snowpiercer and the new Final Fantasy video game and sees an instruction manual for the Uber-rich.
Ellin Stein considers whether Times Radio could be part of a wider campaign against public service broadcasting in the UK
Reverend Joe Haward explores how the political narrative of struggle and fear, enforced through market-driven ideology, needs to be replaced with one placing humanity at the centre again.
Jon Bailes explores why the Government may have changed its Coronavirus messaging to ‘Stay Alert’ and how this represents the tenets of a culture in which social problems are blamed on perceived individual failings.
Graham Williamson reports on how the COVID-19 phase of the culture wars in Middlesborough are an endless re-run of the 1940s
Saba Salman calls on the mainstream media to more accurately reflect the lives of those with learning disabilities and explains how her new book of essays, written by the learning disabled, aims to change the narrative.
Bonnie Greer muses on how lockdown and social distancing may be making us more remote from the neediness of the famous.
Hardeep Matharu finds echoes of the nuclear explosion that helped end the Soviet Union and the UK’s response to COVID-19, which has resulted in one of the highest Coronavirus death rates in the world.
Musa Okwonga explains why, despite the Government’s objectively scandalous handling of the COVID-19 pandemic, those in the UK remain broadly supportive of the Prime Minister.
Mike Buckley argues that the UK Government’s apparently confusing ‘Stay Alert’ messaging is actually carefully calibrated to wash their hands of blame.
Rupert Read and Deepak Raghani lament the film’s fatalism and argue that there is a ‘managed descent’ from our current dangerous energy dependencies.
Our Secret Scientist looks why Coronavirus conspiracy theories have gone viral, and suggests new ways we can vaccinate ourselves against disinformation.
Rebecca Welshman detects a disturbing subtext which echoes Boris Johnson’s Churchillian rhetoric over the pandemic while shifting blame away from his administration.
While the Jenner Institute is at the centre of the search for a COVID-19 vaccine, David Hencke explains how a museum dedicated to Edward Jenner is threatened because of the lockdown.
Confined to a small urban apartment during the COVID-19 pandemic, Bonnie Greer reflects on her time in the Actors Studio, and how shaming memory brings self-knowledge.
The Odeon of Death takes a look at events through the medium of cinema