As discussions of Empire and Britain’s imperial history have come to the forefront in 2020, Hardeep Matharu speaks to BBC journalist and author Kavita Puri to explore what she learnt from those who lived through the end of the colonial project in India about divisions tearing societies apart for her book ‘Partition Voices’
Bryan Knight speaks to Alex Wheatle, whose life was recently brought to television screens by Steve McQueen in the BBC’s Small Axe series
Chris Sullivan reviews the documentary ‘Billie’, detailing how one of the greatest singers of all time was hunted by officers at the Federal Bureau of Narcotics
Jan Fuscoe, of the ‘Brick Lane: The Turning Point’ project, hears from Dan Jones, an artist, activist and campaigner for over 50 years
Composer Howard Goodall sets out what performers will need to know in a post-Brexit world and reflects on the sorrow of the Government’s desire to erect barriers, when the job of creatives is to tear them down
This Netflix depiction of mass protests repressed by brutal state violence has stark parallels to today, says Ellin Stein
Chris Sullivan remembers the run-down, experimental and sleazy New York of punk, hip hop and disco – the creative epicentre of the world, suffocated in recent years by big developers, greed and rent hikes. But could COVID-19 signal a return to its innovative and more humanistic edge?
John Mitchinson considers how the author combines the integrity of an investigative journalist with a rhetorical urgency in a timely exploration of whiteness
Julian Petley looks at the people behind Andrew Neil’s new GB News and sees ominous signs both for the BBC and the principle of impartiality
Strictly Come Dancing’s first same-sex pairing is not the milestone those praising the decision believe it to be, writes George Attwood
US talk show hosts are taking a radically different approach to Donald Trump this time around, reports Eleanor Longman-Rood
The Government’s new bid to save cultural institutions is heavily concentrated in the South of England, reports Sam Bright
In the wake of the Black Lives Matter movement and ahead of a new drama by Steve McQueen, Jan Fuscoe speaks to one of the last surviving members of the ‘Mangrove Nine’, whose trial in the 1970s was a defining moment for Black Power in Britain
Amina Shareef reviews Cuties, which has attracted criticism for its over-sexualisation of young girls, and finds a troubling portrayal of Muslim femininity
Nathan O’Hagan tries to offer an explanation for why celebrities are more susceptible than most to wild misinformation
The Odeon of Death takes a look at the month’s events through the medium of cinema – this time a mind-bending sci-fi espionage thriller Tenet’s Extra (2020) It’s the mind-bending sci-fi espionage thriller the critics are calling “Conservatism on acid” Due to a mutant algorithm, a CIA operative enters an inverted world, in which the…
Gloria Steinem’s criticisms of the hit show about the 1970s US women’s liberation movement miss the prescience the series shows about how a path to the White House was paved for Donald Trump, writes Ellin Stein
Chis Sullivan examines the history of Notting Hill Carnival and its decades-long battle against the Establishment
Continuing to wage a Steve Bannon-style culture war, Boris Johnson’s Government will do nothing to confront the damaging legacy of our imperial past because its mythologised symbolism is all it has to sell to Brexit Britain, argues Hardeep Matharu
Richard Hansen offers ideas for how to help the freelance theatre workers on which the industry relies
Pruthvi Khilosia explores how cultural taboos about what is and isn’t possible for those from minority communities must be understood by the creative industries
Chris Sullivan reviews ‘The Traitor’, a brutal Italian story of crime and corruption, and finds parallels with the UK
Following the Chancellor’s lifeline in funding for the culture and heritage sectors, Stephen Unwin considers whether this will usher in a real ‘levelling-up’ of the arts across the country
Reverend Joe Haward considers what the pursuit of truth really involves and how knowledge of this is being manipulated by our politicians
Daniel Harris explains why the star footballer’s fight to right injustices provides an example for us all of how to delve into pain and confront the truth
The Odeon of Death takes a look at the month’s events through the medium of cinema.
Jon Bailes looks at the social stratification in the TV remake of Snowpiercer and the new Final Fantasy video game and sees an instruction manual for the Uber-rich.
Saba Salman calls on the mainstream media to more accurately reflect the lives of those with learning disabilities and explains how her new book of essays, written by the learning disabled, aims to change the narrative.
Rupert Read and Deepak Raghani lament the film’s fatalism and argue that there is a ‘managed descent’ from our current dangerous energy dependencies.
Otto English delves into how the Brexit Party leader is keeping himself relevant now that we have taken back control and his American dreams have not come to fruition.
The Odeon of Death takes a look at events through the medium of cinema
With the end of the COVID-19 lockdown being bruited loudly in the press, Graeme Thomson the idea that ‘silence is perfection’ and where we can still find it in great music.
Alex Wade on how his plans to move abroad were stymied by the pandemic, and how an abandoned cottage and a missing book delivery revealed the rupture in time.
In light of the realities of COVID-19, Peter Jukes explores what our myths about pandemics and alien invasions told us about sorry selves.
Bonnie Greer explores what is driving the US President in his quest to create the world around him in his vision.
Brian Cathcart explains why the press asking for public money to help them through the Coronavirus pandemic must follow the same reasoning they applied to the Duke and Duchess of Sussex.
Chris Sullivan, the founder of the famous Wag Club, looks at the history of London’s Soho district and how greed and acquisition replaced art and conviviality.
The composer Howard Goodall looks at how music has helped to express, escape and mourn previous traumas, and provides his own playlist to pass the pandemic.
The Odeon of Death takes a look at the month’s events through the medium of cinema.
John Mitchinson explores how being quiet and listening might help us to adjust to the isolation imposed on us by the Coronavirus – and beyond.