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SubscriptionsCategory: Music
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‘There Is a Role for European Solidarity in British Patriotism’
Peter Benson, of the Thank EU for the Music campaign group, explores the impact on creative artists of the UK’s hard Brexit nearly six years on
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Will Young: ‘It Got Much Worse After Pop Idol. I’m Surprised There Hasn’t Been an Exposé on The X Factor’
The first Pop Idol winner – and Byline Times supporter – speaks to Josiah Mortimer about the pressures of fame and the stories he believes are still to come to light about the reality TV music world
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Oasis ‘Dynamic Pricing’ Row: ‘How a System Meant to Balance Supply and Demand is Being Used to Exploit Consumers Everywhere’
The Government has announced it will include dynamic pricing in a consultation into ticket resale websites after hundreds of complaints over Oasis ticket sales. But that’s just the start
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‘How Lawsuit Against AI Music Will Offer Little Help to Smaller Labels and Independent Artists’
As a lawsuit against music generation startups Udio and Suno makes its way through the courts, an AI song in Germany has already made the Top 50
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Music in Schools: A Plea
In the wake of Lord Melvyn Bragg’s House of Lords debate on the vital importance of the arts to the UK’s society and economy, composer Howard Goodall makes an urgent call for the Government to rethink its proposed further reduction of resources for musical education
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‘Giving Women Credit is a Good Place to Start’: Harassment and Bullying in the Music Industry
Nick Smith explores what the music business is doing (or not) to put its house in order
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Singer Will Young Reveals Why He’ll ‘Never Forgive’ the Conservatives as He Launches New Animal Rights Campaign
“While I was at the funeral for my brother…there were only four people, because of social distancing. I will never forget that,” song-writer and actor Will Young tells Byline Times.
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The Upside Down: Why Folk Songs Still Mean Something
The longer we look at this traditional music, the more we see that its very malleability is its strength and its challenge, writes John Mitchinson
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‘Whose Opera is it Anyway?’
Composer Howard Goodall unpicks Art Council England’s announcement that it will be redistributing £50 million of funding for the English National Opera outside of London and the south-east
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Twenty-Seven Cardigans and Still Not Enough: A Torturous Style Journey
Penny Pepper reflects on her relationship with fashion – and how punk took her into disability activism and feminism
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Raaberdämmerung
Composer and writer Howard Goodall explains how the Deputy Prime Minister’s patronising comments about Angela Rayner undermine the Government’s own stated principles about the role of music in education and empowerment
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The Upside Down: We Won’t Bow Down – What I Learned in New Orleans
John Mitchinson reflects on his latest trip to the ‘Big Easy’
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Touring in Europe: The Broken Instruments of Brexit
Philippe Auclair discusses the cultural isolation and loss which will result from British musical artists being deterred from performing in Europe
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Never To Forget: Remembering the Health Workers Who Gave Their Lives to Protect Us
Howard Goodall explains the genesis of his NHS memorial choral work, and the effect of meeting relatives of those who died during the pandemic
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The Social Conditions which Inspired ‘Ghost Town’ are Still With Us Today, Says The Specials’ Jerry Dammers
On the 40th anniversary of the hit song, Chris Sullivan finds its modern relevance terrifying
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Forever Young: Reflections on Bob Dylan at 80
Heidi Siegmund Cuda celebrates the proto-punk’s protest songs as epic short stories painting a history of radical anti-war, anti-establishment America
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‘What’s Going On’ Marvin Gaye’s Protest Album 50 Years On
Racism, police brutality, inequality, ecology, the trauma of the Vietnam War and drug addiction, Chris Sullivan considers how the classic 1971 album explored what was really going on
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Reaganite Rockers to Brexit Punks: ‘The Kids are Alt-Right’
Nathan O’Hagan catalogues the surprising conservatism of many radical musicians
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The Hounding of Billie Holiday
Chris Sullivan reviews the documentary ‘Billie’, detailing how one of the greatest singers of all time was hunted by officers at the Federal Bureau of Narcotics
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Brexit’s Toll On Britain’s Creative Industries: The Sadness and Madness that Awaits
Composer Howard Goodall sets out what performers will need to know in a post-Brexit world and reflects on the sorrow of the Government’s desire to erect barriers, when the job of creatives is to tear them down
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Cop Violence to COVID-19: The Survival of Notting Hill Carnival
Chis Sullivan examines the history of Notting Hill Carnival and its decades-long battle against the Establishment
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UNCONSCIOUS EMPIRE: Saving ‘Britannia’ and Losing the Plot
Continuing to wage a Steve Bannon-style culture war, Boris Johnson’s Government will do nothing to confront the damaging legacy of our imperial past because its mythologised symbolism is all it has to sell to Brexit Britain, argues Hardeep Matharu
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The Year of Living Distantly: Songs For the End of Silence
With the end of the COVID-19 lockdown being bruited loudly in the press, Graeme Thomson the idea that ‘silence is perfection’ and where we can still find it in great music.
