History, music, cooking, travel, books, theatre, film – but also with an eye on the ‘culture wars’, nationalism and identity.
(adj.) bitten by a spider They say heroes come in all shapes and sizes. If you support Brexit, for example, your current hero likely comes in the form of the glabrous Machiavelli currently working the gears of 10 Downing Street—and whose supposed reputation for political shrewdness belies the fact that he’s now engineered the government’s…
Emma Burnell discovers many wider echoes in the dramatisation of tensions between Ukrainians and Poles.
The Odeon of Death takes a look at the week’s events through the medium of cinema.
seagull manager (n.) an overseer who arrives, ruins everything, then departs without fixing it Two former UK Prime Ministers stepped back into the political limelight this week. One is a level-headed, fiercely pro-European, and still highly respected statesman, who has boldly used his platform to wade into the on-going High Court battle over Boris Johnson’s…
CJ Werleman is in danger of burning his ‘Rattle and Hum’ Tour T-Shirt after the Irish band’s recent announcement that its recent tour will end in Modi’s India.
The Odeon of Death takes a look at the week’s events through the medium of cinema. The Bulk (2019) BULK SMASH BACKSTOP! After laugh-a-minute Doctor Alex Johnson is exposed to Gammon radiation, he transforms into the Uncredible Bulk, a violently destructive idiot with his ever-present catchphrase, “Don’t make me Ukippy… you wouldn’t like me when…
The Odeon of Death takes a look at the week’s events through the medium of cinema. Solent Red (2022) In a polluted and starving Britain of the near-future, Charlton Heston’s under-resourced policeman discovers the terrible truth about the nation’s main food supply, Get Ready-Brek… The Odeon of Death can be found on Twitter at, perhaps…
(n.) someone who treats the law with contempt; someone who deliberately flouts rules that are difficult to enforce
The Odeon of Death takes a look at the week’s events through the medium of cinema. Cecil B DeMille’s Cain & Unable (1949) And it came to pass in the land of Angels there were two brothers, one brutish with hair like unclean corn, and one a bit nicer. And lo, when Unable saw what…
Parveen Ali explains why she decided to permanently remove her headscarf following five years of negativity from those she interacted with – including harassment from the far-right.
As cliff-edge Britain searches around for historical analogies to a ‘No Deal’ Brexit, Arthur Snell discovers an infamous King and his ill-fated adviser are the most telling of all.
Chris Keulemans has spent the past three years at our sister organisation, Byline Festival, listening to a great national debate – going nowhere as truth crumbles.
In Ancient Egypt, a heretical high priest named Dominhotep is brought back to life by a wicked Pharaoh (Boris Snarl-off) @OdeonofDeath’s review of the week
Otto English returns from a trip to St Lucia with fresh insights on the madness of Brexit and our frustrating sense of British complacency.
Plans for Hack Attack, based on journalist Nick Davies book on the phone hacking scandal, never got off the ground due to the tycoon’s great “passive power”.
Iain Overton on the death of advertising tycoon Lord Timothy Bell, an advisor to Margaret Thatcher and co-founder of the controversial firm Bell Pottinger.
Caroline Davidson explores the philosophical underpinnings of an installation by Peter Fluck and Tony Myatt showcasing a beloved tree that was cut down.
Our sister organisation Byline Festival will be kicking off tomorrow, with four days of thought-provoking talks, workshops and performances.
Peter Fluck made his name as the co-creator of Spitting Image. Now an artist, he says the current crop of politicians do a good job of satirising themselves.
(n.) someone who supports a liar, or helps propagate their untruths
A body is found in a sleepy New England town, but nobody knows whodunnit, in Hitchcock’s classic black comedy
With the average shopper unable to afford sustainable options from designer brands, what is the solution?
Will Cologne’s cathedral, which was centuries in the making, ever be considered to be truly ‘finished’? Maybe nothing we build ever is.
The Odeon of Death takes a look at the week’s events through the medium of cinema.
Poet Salena Godden reflects on the life and passing of the inspirational Toni Morrison.
Byline Times’ regular cartoonist, who has worked with homeless people and experienced periods of homelessness himself, continues his picture essay on Manchester from street level.
Mike Stuchbery on how terrible moments of devastation can be overcome with creativity and vision.
In the latest in his series exploring how to experience travelling as an antidote to your mood, Kyle Taylor recounts the pleasures of Porto.
The Odeon of Death takes a look at the week’s events through the medium of cinema.
Mike Stuchbery on reading one of the first printed bestsellers – a book on how to die properly – from his hospital bed.
DJ and writer Chris Sullivan on the debate about where Rave culture first took hold in Britain.
The Odeon of Death takes a look at the week’s events through the medium of cinema.
The Odeon of Death with a special look the day’s events through the medium of cinema.
Byline Times’ regular cartoonist Slymoon, who has worked with homeless people and experienced periods of homelessness himself, starts his picture essay on Manchester from street level.
John Mitchinson on the warm haze of opioid bliss – for good and for ill – experienced by the Victorians. If there ever was a golden age for hard drug use, it was the Victorian era. The widespread use of laudanum (opium dissolved in alcohol) had first been encouraged by the greatest English doctor of…
(n.) a worker who only busies themselves when they’re being observed
The Odeon of Death takes a look at the week’s events through the medium of cinema. Fat Cats 2019 Big screen adaptation of the Andrew Lloyd Webber musical starring Jacob Rees-Moggy, Nadhim Meowey, and Mr Piffle-Paffle, pictured here performing his showtune “I’ve done you up like a kipper (and now I’m going to eat you).”…
The Odeon of Death takes a look at the week’s events through the medium of cinema.